{"id":10953,"date":"2020-02-23T17:34:51","date_gmt":"2020-02-23T16:34:51","guid":{"rendered":"http:\/\/joseph-isola.info\/Sardequin\/?p=10953"},"modified":"2020-02-23T17:35:47","modified_gmt":"2020-02-23T16:35:47","slug":"bill-evans-eddie-gomez","status":"publish","type":"post","link":"https:\/\/joseph-isola.info\/Sardequin\/bill-evans-eddie-gomez\/","title":{"rendered":"Bill Evans \/ Eddie Gomez"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"http:\/\/sardequin.jalbum.net\/sur%20ma%20platine\/slides\/Bill%20Evans%20-%20Eddie%20Gomez%20Montreux%20III.jpg\" alt=\"\"\/><\/figure><\/div>\n\n\n\n<p>Un piano (Bill Evans), une contrebasse (Eddie Gomez), comme dans l\u2019album de Jean-Pierre Mas (piano) et Cesarius Alvim (contrebasse), et pourtant une toute autre ambiance, une toute autre tonalit\u00e9. <\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-embed-wordpress wp-block-embed is-type-wp-embed is-provider-le-blog-notes\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"6mHZ2wKINA\"><a href=\"https:\/\/joseph-isola.info\/Sardequin\/rue-de-lourmel\/\">Rue de Lourmel<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00ab\u00a0Rue de Lourmel\u00a0\u00bb &#8212; LE BLOG NOTES\" src=\"https:\/\/joseph-isola.info\/Sardequin\/rue-de-lourmel\/embed\/#?secret=vd52kmYKnk#?secret=6mHZ2wKINA\" data-secret=\"6mHZ2wKINA\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Deux albums semblables, piano\/contrebasse, et deux atmosph\u00e8res tr\u00e8s diff\u00e9rentes, qui peut encore dire que le Jazz c\u2019est toujours la m\u00eame chose.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p>Autant avec le <strong>Rue de Lourmel <\/strong>on est dans un jazz lyrique, et presque latin, influence de Cesarius Alvim oblige, autant avec le Bill Evans\/Eddie Gomez (enregistr\u00e9 en public), on est plus dans un jazz certes fin et subtil, le piano de Bill Evans \u00e9tant un des sommets de ce jazz, mais peut-\u00eatre plus classique dans le style be-bop \/ modal. Il n\u2019emp\u00eache la couleur du piano de Bill Evans et l\u2019accompagnement de Eddie Gomez font des merveilles sur cet album, tr\u00e8s spontan\u00e9 en raison de son enregistrement live.<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-embed-youtube aligncenter wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Bill Evans - Montreux III (1975 Album)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/6htHEderkxo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Un piano (Bill Evans), une contrebasse (Eddie Gomez), comme dans l\u2019album de Jean-Pierre Mas (piano)<\/p>\n","protected":false},"author":5,"featured_media":10956,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[124,68,16,17,62],"tags":[582,583,260,584,20,84,67,19],"class_list":["post-10953","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blues-jazz","category-musique","category-sur-ma-platine","category-video","category-vinyles","tag-bill-evans","tag-eddie-gomez","tag-jazz","tag-live","tag-musique","tag-sur-ma-platine","tag-video","tag-vinyles"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/joseph-isola.info\/Sardequin\/wp-content\/uploads\/2020\/02\/Bill-Evans-Eddie-Gomez-Montreux-III.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/posts\/10953","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/comments?post=10953"}],"version-history":[{"count":0,"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/posts\/10953\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/media\/10956"}],"wp:attachment":[{"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/media?parent=10953"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/categories?post=10953"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/tags?post=10953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}