{"id":5065,"date":"2016-05-25T10:42:00","date_gmt":"2016-05-25T08:42:00","guid":{"rendered":"http:\/\/joseph-isola.info\/Sardequin\/?p=5065"},"modified":"2016-05-25T10:44:36","modified_gmt":"2016-05-25T08:44:36","slug":"de-lusage-du-sample","status":"publish","type":"post","link":"https:\/\/joseph-isola.info\/Sardequin\/de-lusage-du-sample\/","title":{"rendered":"de l\u2019usage du sample."},"content":{"rendered":"<h1>Un Sample, un tube.<\/h1>\n<p style=\"text-align: justify;\">Sans original, pas de copie, sans <strong>Isaac Hayes<\/strong>, pas de <em>Glory Box<\/em> de <strong>Portishead<\/strong>.<br \/>\nVous connaissez tous ce titre de Portishead, son beat moite, sa langueur et la voix de Beth Gibbons : piq\u00fbre de rappel.<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/8uciibl0rcs\" width=\"560\" height=\"314\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">Mais \u00e0 l\u2019origine, c\u2019\u00e9tait \u00e7a :<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/qfVbrPoLc3w\" width=\"560\" height=\"314\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">Il n\u2019est pas question ici de trancher sur quelle est la meilleure version. De toute mani\u00e8re, c\u2019est un peu le principe du sample, reprendre un boucle, une sonorit\u00e9, une m\u00e9lodie et en faire autre chose. Ici, dans cet exemple, \u00a0le titre de <strong>Portishead<\/strong> et ce sample du titre de <strong>Isaac Hayes <\/strong>sont tellement li\u00e9s qu\u2019il ne peut que faire oublier l\u2019original. Et le pire c\u2019est que toute nouvelle\u00a0utilisation de ce sample va faire passer la nouvelle version pour un plagiat du <em>Glory Box<\/em> de <strong>Portishead<\/strong>.<\/p>\n<p style=\"text-align: justify;\">La preuve en image et son ici :<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/UKp2CrfmVfw\" width=\"560\" height=\"314\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">Qui connait <strong>Alessia Cara<\/strong> ? Sans doute pas grand monde. Et se faire connaitre en reprenant ce sample, m\u00eame si la r\u00e9f\u00e9rence \u00e0 l\u2019original et Isaac Hayes est encore plus \u00e9vidente, c\u2019est quand m\u00eame tr\u00e8s casse gueule. Vous ne trouvez pas ? Un m\u00e9rite cependant, se faire interroger les fans de <strong>Portishead<\/strong> sur l\u2019origine de <em>Glory Box<\/em>, rendre \u00e0 <strong>Isaac Hayes<\/strong> ce qui est \u00e0 <strong>Isaac Hayes<\/strong>. Ensuite \u00e0 chacun de se faire son opinion sur les diff\u00e9rentes versions. Et l\u2019autre question qui agite le monde de la musique, cr\u00e9ation ou pas ? La musique est un \u00e9ternel recyclage !<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 8pt;\">PS : je vais avouer ici quelque chose, cet article m\u2019a \u00e9t\u00e9 inspir\u00e9 par un \u00ab ami \u00bb Facebook (Renaud Oualid, si tu me lis\u2026). <\/span><span style=\"font-size: 8pt;\">Tout comme lui, je connais et j\u2019aime beaucoup Portishead. Et tout comme lui, je ne savais pas que <em><strong>Glory Box<\/strong><\/em> \u00e9tait un sample d\u2019un titre de Isaac Hayes (et pourtant je connais et j\u2019aime beaucoup Isaac Hayes). On en apprend tous les jours.<\/span><\/p>\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>Un Sample, un tube. Sans original, pas de copie, sans Isaac Hayes, pas de Glory<\/p>\n","protected":false},"author":5,"featured_media":5073,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[68,17],"tags":[170,20,169,171,67],"class_list":["post-5065","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-musique","category-video","tag-isaac-hayes","tag-musique","tag-portishead","tag-sample","tag-video","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/joseph-isola.info\/Sardequin\/wp-content\/uploads\/2016\/05\/glorybox.png","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/posts\/5065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/comments?post=5065"}],"version-history":[{"count":0,"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/posts\/5065\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/media\/5073"}],"wp:attachment":[{"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/media?parent=5065"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/categories?post=5065"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/tags?post=5065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}