{"id":7151,"date":"2017-10-07T20:12:37","date_gmt":"2017-10-07T18:12:37","guid":{"rendered":"http:\/\/joseph-isola.info\/Sardequin\/?p=7151"},"modified":"2017-10-07T20:12:37","modified_gmt":"2017-10-07T18:12:37","slug":"une-saison-en-enfer-arthur-rimbaud-gilbert-amy","status":"publish","type":"post","link":"https:\/\/joseph-isola.info\/Sardequin\/une-saison-en-enfer-arthur-rimbaud-gilbert-amy\/","title":{"rendered":"Une saison en enfer (Arthur Rimbaud) &#8211; Gilbert Amy"},"content":{"rendered":"<h1>Exp\u00e9rience sonore<\/h1>\n<p>&nbsp;<\/p>\n<p>La curiosit\u00e9 en musique est essentielle ! Je suis pass\u00e9 \u00e0 la Ressourcerie de Venelles cet apr\u00e8s-midi ! Et dans les deux bacs de disques bien d\u00e9garnis depuis quelques semaines (h\u00e9las), deux ou trois \u00ab\u00a0nouveaut\u00e9s\u00a0\u00bb ! Et une curiosit\u00e9 !<\/p>\n<p>Une collection GRM\/INA (Groupe de Recherches Musicales) et des cr\u00e9ations tr\u00e8s avant-gardistes dans le domaine de la musique \u00e9lectroacoustique (Pierre Henry, Fran\u00e7ois Bayle et d\u2019autres). Une pochette de disque tr\u00e8s graphique, qui forc\u00e9ment attire mon attention.<\/p>\n<p><a href=\"https:\/\/joseph-isola.info\/Sardequin\/wp-content\/uploads\/2017\/10\/Gilbert-Amy-Une-saison-en-enfer.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-7152\" src=\"https:\/\/joseph-isola.info\/Sardequin\/wp-content\/uploads\/2017\/10\/Gilbert-Amy-Une-saison-en-enfer-1280x1259.jpg\" alt=\"\" width=\"1170\" height=\"1151\" srcset=\"https:\/\/joseph-isola.info\/Sardequin\/wp-content\/uploads\/2017\/10\/Gilbert-Amy-Une-saison-en-enfer-1280x1259.jpg 1280w, https:\/\/joseph-isola.info\/Sardequin\/wp-content\/uploads\/2017\/10\/Gilbert-Amy-Une-saison-en-enfer-600x590.jpg 600w, https:\/\/joseph-isola.info\/Sardequin\/wp-content\/uploads\/2017\/10\/Gilbert-Amy-Une-saison-en-enfer-830x816.jpg 830w, https:\/\/joseph-isola.info\/Sardequin\/wp-content\/uploads\/2017\/10\/Gilbert-Amy-Une-saison-en-enfer-230x226.jpg 230w, https:\/\/joseph-isola.info\/Sardequin\/wp-content\/uploads\/2017\/10\/Gilbert-Amy-Une-saison-en-enfer-350x344.jpg 350w, https:\/\/joseph-isola.info\/Sardequin\/wp-content\/uploads\/2017\/10\/Gilbert-Amy-Une-saison-en-enfer-480x472.jpg 480w, https:\/\/joseph-isola.info\/Sardequin\/wp-content\/uploads\/2017\/10\/Gilbert-Amy-Une-saison-en-enfer.jpg 1500w\" sizes=\"auto, (max-width: 1170px) 100vw, 1170px\" \/><\/a><\/p>\n<h2>Et l\u2019\u00e9coute ?<\/h2>\n<p>\u00c0 la fois sans surprise (on s\u2019attend forc\u00e9ment \u00e0 ce qui va suivre) et int\u00e9ressante ! Les voix humaines (chanteurs et chanteuses) qui \u00ab\u00a0r\u00e9citent\u00a0\u00bb les Textes de Rimbaud sont trait\u00e9es comme des instruments, textes parfois clairs, voix parfois d\u00e9form\u00e9es et transform\u00e9es, et les instruments piano, percussions, auxquels s\u2019ajoutent le traitement \u00e9lectroacoustique de bandes magn\u00e9tiques donnent \u00e0 cette partition une atmosph\u00e8re minimaliste et hypnotique ! Il est quand m\u00eame assez difficile de suivre les textes, ou alors \u00eatre un parfait connaisseur des po\u00e8mes de Rimbaud (ce que je ne suis pas vraiment). Dans le m\u00eame temps, si on ne s\u2019arr\u00eate pas aux clich\u00e9s trop souvent brandis par les \u00ab\u00a0conservateurs\u00a0\u00bb en musique (c\u2019est du bruit, y\u2019a pas de m\u00e9lodie, c\u2019est pas de la musique), l\u2019\u00e9coute va vraiment au-del\u00e0 de ces clich\u00e9s.<\/p>\n<p>Une exp\u00e9rience sonore int\u00e9ressante !<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/8zLg00phPMU\" width=\"594\" height=\"333\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Exp\u00e9rience sonore &nbsp; La curiosit\u00e9 en musique est essentielle ! Je suis pass\u00e9 \u00e0 la<\/p>\n","protected":false},"author":5,"featured_media":7152,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[68,16,62],"tags":[20,84,19],"class_list":["post-7151","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musique","category-sur-ma-platine","category-vinyles","tag-musique","tag-sur-ma-platine","tag-vinyles"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/joseph-isola.info\/Sardequin\/wp-content\/uploads\/2017\/10\/Gilbert-Amy-Une-saison-en-enfer.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/posts\/7151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/comments?post=7151"}],"version-history":[{"count":0,"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/posts\/7151\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/media\/7152"}],"wp:attachment":[{"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/media?parent=7151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/categories?post=7151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/joseph-isola.info\/Sardequin\/wp-json\/wp\/v2\/tags?post=7151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}